Gizella K Warburton – Contemporary Textile and Mixed Media Artist

Gizella K Warburton is a contemporary textile and mixed media artist based in Leicestershire.

Gizella K Warburton – Textile and Mixed Media Artist – Crossing Place

My work explores an intuitive response to linear, textural and light detail within landscape and surface. Abstract compositions evolve through the tactile and contemplative process of drawing with paper cloth and thread. Mark making is an intrinsic part of my practice: shadowed, scratched, stained, scarred, pierced, wrapped and stitched…

My relationship with making is visceral… I ‘feel’ where the work emanates from, and is leading, as  much as I ‘see’ it. The materiality of cloth, paper, thread, wood and paint connects me to an innate human urge to make marks… to decipher the meaning of our physical and emotional landscapes, and the transient nature of the warp and weft of our lives. The slow tactile intimacy of stitching is a mantra.


 
a line changes in relation to the materials it touches, as it travels, encircles, wraps and pierces, and the fibres, creases and shadows of paper, textile, stone, and eroded surfaces, form their own linear traceries. The harmonies or tensions created by the way a line meets, crosses, disappears, or is interwoven with others, resonates with my own experiences of relationships and places.

faded, frayed…pieced and layered…. as cloths are joined and patched together eccentricities in surface and stitch are revealed. Contrasts in colour, texture, seams and raw edges, form their own visual language. Each stitch, both considered and instinctive, becomes a painterly mark… evoking a sense of landscape, both physical and emotional… traces of journey… suggestion of cypher…

artist statement, 2007

 

I studied Printed and Woven Textiles at Manchester Metropolitan University and my current practice has its origins in stitched cloths. Though undoubtedly rooted in ‘embroidery’ and ‘patchwork’, I  experiment with and refine processes in a search to describe the way elements have imprinted themselves in my mind.

Fragments of materials are brought together in a similar way to collage or assemblage, with tiny holding stitches to capture layers. I create gestural marks with threads, paint, charcoal, and other media, and printmaking, felting, papermaking and woven techniques may be involved.

I have always found ancient and humble textiles and primitive vessel forms particularly compelling;  the raw and worn simplicity of the weaving, stitching, binding and repairing bear the patina of our human histories. I am drawn to materials which suggest a fragile balance; strength and legacy, yet susceptibility to wear and tear, permeating them with their own intrinsic tactile qualities.

Unique objects include framed, hanging and sculptural artworks and installations. Developments include works on slate and weathered wood grounds, printed and woven elements, and sculptural forms and vessels.